It’s not just the wonderful Fantastic Fest that unfolds every September, but the genre has been a major part of every SXSW ...

One quite literal manifestation of that is Dominican director and screenwriter Jose Maria Cabral’s film “42nd Street.” It’s ...

An interview with the director on bonding with the film’s ensemble cast, his approach to working with time, and the ...

Thankfully, for the most part, three docs at this year’s SXSW are structured less to run through their subjects’ greatest ...

The Residence” is a comedy of manners and murder that nails scintillating satire to the White House walls, compelling us to step inside.

It’s clear to her that beauty and acceptance are intimately tied with whiteness. There are other clever moments Wang ...

Three of the more purely enjoyable films to play at this year’s SXSW didn’t premiere with star-studded red carpets at the ...

Duplass and Strassner have crafted a beautiful film that somehow feels spontaneous, a window into a relationship that ...

While far from being a classic, “The Day the Earth Blew Up” is a charming and often invigorating reimagining of key Looney ...

Women over 50 years young are mad as hell and not taking it anymore. They are tired of being sidelined. They are creating ...

I’ve seen many SXSW debuts that seem like they might have played better as short films (some started out that way). For all ...

The Rivals of Amziah King” opens by setting a joyous template. Amziah (a fantastic McConaughey, leaning into his Southern ...