Star Trek, Michelle Yeoh

Michelle Yeoh's Star Trek Movie Successfully Pays Off A 58-Year-Old Enterprise Joke
The Original Series USS Enterprise in-joke actually gives Star Trek: Section 31's team a fighting chance when they need it most.
The ‘Star Trek: Section 31’ Makeup Mission? Make Michelle Yeoh Look Even More Epic
Makeup department head Shauna Llewellyn tells IndieWire about getting the 'Star Trek: Discovery' family back together to explain Georgiou's origins.
With ‘Section 31,’ Michelle Yeoh returns to the ‘Star Trek’ multiverse
The actor returns to "Star Trek," reprising her character Philippa Georgiou, who leads the franchise's first television movie now streaming on Paramount+.
Michelle Yeoh was ‘a little apprehensive’ about arranging Star Trek: Section 31’s cameo
Its surprising late-game cameo isn’t about franchise ties at all: It features a familiar actor who’s never appeared in Star Trek before. Section 31 star Michelle Yeoh told Polygon this one was all about the personal, real-world connections she made in her Oscar-winning movie Everything Everywhere All at Once.
Michelle Yeoh Wears Balenciaga-Designed Looks in New ‘Star Trek: Section 31’
Yeoh, a face of Balenciaga, connected the film's costume designer Gersha Phillips with the brand to create custom looks for the new "Star Trek" film.
Michelle Yeoh, Sonequa Martin-Green reunite at 'Star Trek: Section 31' premiere
Michelle Yeoh and Sonequa Martin-Green took to the red carpet Wednesday to celebrate the premiere of "Star Trek: Section 31," which lands Friday on Paramount+.
Star Trek: Section 31 review – "Michelle Yeoh deserves far better than this sci-fi spin-off"
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‘Star Trek: Section 31’ Review: Not Even Michelle Yeoh Can Save Paramount+’s Subpar Spinoff Movie
Section 31 is a spinoff of the series Star Trek: Discovery but mainly seems designed to exploit the talents of Michelle Yeoh, who, since she created the character of Philippa Georgiou, has added the term “Academy Award winner” to her bio.
A Star Trek: Discovery movie could redeem Emperor Philippa Georgiou
Paramount+'s streaming channel Star Trek movie, Section 31, did little, if anything, to move Emperor Philippa Georgiou [Michelle Yeoh] toward redemption even though there was supposed to be a redemption arc.
Star Trek's Own Canon Shows Why Michelle Yeoh's Section 31 Movie Didn't Work
Section 31 tries something ambitious, but it ultimately fails because of the iconic sci-fi saga's rich history and detailed lore.
Michelle Yeoh says 'Star Trek: Section 31' like 'Mission: Impossible' in space
After she first played starship Capt. Philippa Georgiou and her evil Mirror Universe doppelganger on Star Trek: Discovery, Michelle Yeoh was supposed to reprise the role for Section 31, a spinoff series that would continue to follow her fan favourite character.
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Michelle Yeoh Gets Comfy and Casual in Chunky Sneakers While Attending ‘Star Trek: Section 31' Event in New York City
Michelle Yeoh chose a chic pair of chunky sneakers to attend the conversation for "Star Trek: Section 31" at 92NY alongside ...
‘Star Trek: Section 31’: How Michelle Yeoh Made That Major Cameo Happen (VIDEO)
You can thank Michelle Yeoh for that major cameo in Star Trek: Section 31. As first heard, then finally seen at the end of ...
‘Star Trek: Section 31’ Review: Michelle Yeoh Stars in a Franchise Tangent Too Thinly Tethered to the Mother Ship
Michelle Yeoh’s antiheroine from 'Discovery' returns in a streaming feature that’s lively enough, but lacks the character and ...
‘Star Trek: Section 31’ Review: Michelle Yeoh Proves Skeptics Wrong in Charming Paramount+ Spinoff Film
The beloved franchise finds nuance and fun tapping into the spy genre The post ‘Star Trek: Section 31’ Review: Michelle Yeoh ...
I Watched Star Trek: Section 31 On Paramount+, And There's One Glaring Plot Issue That Still Annoys Me
Star Trek: Discovery Season 2 took place from 2258-2259, while Star Trek: Section 31 is set around 2324. In other words, the ...
Section 31 Is Now the Lowest-Rated Star Trek Project on Rotten Tomatoes
The drubbing of the Michelle Yeoh-led streaming film now holds a dubious title—one that reflects something much more interesting than simple schadenfreude.